![]() ![]() In 1980, Ringgold crafted her first quilt-again, with some sewing help from her mother-called Echoes of Harlem (1980) , portraying 30 Harlem residents in a mandala-like composition.Īfter her mother died in 1981, Ringgold continued to work with textiles, embarking on a series of story quilts that would come to define her career. Returning home, Ringgold enlisted the help of her mother, a professional dressmaker, to make politically minded thangkas of her own, sewing frames of cloth around depictions of brutal rape and slavery. There, a gallery guard introduced her to Tibetan thangkas-traditional Buddhist paintings on cloth, surrounded by silk brocades. Harlem-born artist and activist Ringgold began working with textiles after a trip to Amsterdam’s Rijksmuseum in 1972. In the 1980s and ’90s, Boetti continued to employ Afghan artisans who were living in exile in Pakistan to create textiles depicting word-squares for his “Arazzi” series and everyday symbols for his “Tutto” series. Taken together, these textiles document the changing political landscape, as borders between nations shifted from year to year. ![]() During this time, the artist began his famed “Mappa” series (1971–1994), for which he commissioned over 150 embroideries of world maps that included flags from each country represented. It remained open until the Soviet invasion in 1979. Boetti-interested in the concept of chance in artmaking-enjoyed this surprise, and thus began his decades-long partnership with Afghan craftswomen.īoetti traveled to Afghanistan so frequently that he opened his own hotel in Kabul in 1971. The embroiderers strayed from Boetti’s original designs, however, surrounding the dates with floral patterns and decorations. As a test run, he asked local craftswomen to create two embroideries, one with the words “December 16, 2040” (the 100th anniversary of the artist’s birth) and the other with the text “July 11, 2023” (the day he predicted he would die). In the early 1970s, Italian conceptual artist Boetti was thinking about collaborating with Afghan artisans. ![]()
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